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Milton's Paradise Lost, by John Collier
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“What Milton had that Collier hasn't is a sense of sin, and the overwhelming power and beauty of divine order. What Collier has that Milton hadn't is a sense of humor and a delight in the variety of chaos.” (Time 1973)
British-born author and screenplay writer, John Collier, retells Milton's Paradise Lost with his incomparable flare for imagery and a vision of the story as it might be seen on film. Although his script reads like a book, we can picture it all – satan flying through space, monstrous fiends, other worlds, devils and angels. John Collier was intrigued by the possibility of turning Paradise Lost into a film for years and his screenplay contains the basic blueprint for Milton's story as well as new food for thought. Monstrously delicious and impeccably structured, a fascinating journey of a read.
- Sales Rank: #2210840 in eBooks
- Published on: 2013-01-15
- Released on: 2013-01-15
- Format: Kindle eBook
Most helpful customer reviews
7 of 13 people found the following review helpful.
A Hideous Ruin that Should Have Been Combusted!
By Tam Mossman
When publishers give a successful author a two- or three-book contract, it may sound like a fine idea. The publisher gains a lock on the writer's future manuscripts. The author's agent is delighted with the extra advance $$$. A win-win situation, right?
Not always! All too often, authors run out of creative steam, or their supportive editor leaves for another house. Rather than break their three-book contract, they fulfill the contract by submitting a piece of drivel, which--again all too often--the editor wearily accepts as part of the "divorce settlement." Which may explain why this unreadable mess got published.
John Collier has written "Fancies and Goodnights" and "His Monkey Wife" (both novels with solid 4-star-plus reviews on Amazon), along with an anthology of his writing. But this offering has no other reviews, which is usually a warning sign to readers. (For example, look at Amazon's listing for Kitty Dukakis' "Now You Know.")
Collier subtitles his effort "A Screenplay for the Mind," but totally ignores standard screenplay format. His opening sequence describes the fall of rebel angels from heaven as a comet that "transforms" itself in close-up into a series of bubbles filled with screaming faces. He replaces Milton's majestic verse with prose that's startling lackluster,along with gruesome descriptions that ramble on like the Marquis de Sade on mescaline. Though he sticks slavishly to Milton's outline, he erases Milton's eloquence at every turn.
As a final clue of the publisher's flop sweat, each page is adorned with a decorative border--the sure sign of a book designer painting rouge on the cheeks of a corpse.
A far better adaptation (and one that would work beautfully as a stage production) is Jean-Pierre Aubaine's "Paradise Lost in Four Acts" on Kindle. The transcript of a lost 17th- or 18th-century stage version that compared Satan with Oliver Cromwell and God with King Charles I. It features new characters like Cain and Abel, and endows Milton's demons and angels with recognizable personalities. It's a tragedy in the classic sense--and all in fluent iambic pentameter!
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