Jumat, 02 Januari 2015

[G698.Ebook] Ebook Recognition of Health Hazards in Industry: A Review of Materials Processes, 2nd Edition, by William A. Burgess

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Recognition of Health Hazards in Industry: A Review of Materials Processes, 2nd Edition, by William A. Burgess

An authoritative and practical guide to identifying major health issues in the workplace with an overview of common control approaches. Contains detailed surveys of work tasks in a wide range of industries, enabling readers to recognize health problems in facility design and operation and to relate medical symptoms to job exposure. New to this edition: discussion of microelectronics, chemical processing and plastics fabrication; increased coverage of published exposure information; epidemiologic and other health status studies.

  • Sales Rank: #133618 in Books
  • Published on: 1995-01-09
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.43" h x 1.22" w x 6.28" l, 1.93 pounds
  • Binding: Hardcover
  • 560 pages

From the Publisher
An authoritative and practical guide to identifying major health issues in the workplace with an overview of common control approaches. Contains detailed surveys of work tasks in a wide range of industries, enabling readers to recognize health problems in facility design and operation and to relate medical symptoms to job exposure. New to this edition: discussion of microelectronics, chemical processing and plastics fabrication; increased coverage of published exposure information; epidemiologic and other health status studies.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Great Book
By Ricky Dean Ward
This is a great resource for any Industrial Hygienist or safety professional. Breaks down common industrial processes into easy to understand poetential exposures and hazards. I use this book all the time. It is a great reference.

0 of 0 people found the following review helpful.
Expensive Book but Very useful for Occupational Medicine Physicians
By AK
It is interesting Book for Occmed physicians and Industrail Hygienists, in assessing health hazards, risk assessments, and corrective measures to take.

0 of 0 people found the following review helpful.
Very useful for consulting hygienists
By H. Wright
I use this text often as a consulting industrial hygienist. Also great for CIH exam prep. It describes various industrial processes and their hazards.

See all 4 customer reviews...

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Kamis, 01 Januari 2015

[E465.Ebook] Download Ebook Anime: A History, by Jonathan Clements

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Anime: A History, by Jonathan Clements

This comprehensive history of Japanese animation draws on Japanese primary sources and testimony from industry professionals to explore the production and reception of anime, from its early faltering steps, to the international successes of Spirited Away and Pokémon.

  • Sales Rank: #249980 in Books
  • Published on: 2013-12-12
  • Released on: 2013-12-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.38" h x .60" w x 7.47" l, 1.30 pounds
  • Binding: Paperback
  • 256 pages

Review
'Clements writes in his introduction, 'There is... no full-length history of Japanese animation available in English-an omission that this book seeks to remedy, articulating 'anime' as a succession of conceptual systems that form and change throughout the latter half of the twentieth century and into the twenty-first...' And he does exactly what he promises, going into great detail about the history of anime, and also bringing up questions about the meaning and definition of anime that can even cause major otaku to scratch their heads. This book is definitely a must for fans who want a scholarly look into the history of their favorite medium.' - Otaku USA Magazine '[A] scholarly yet engaging history...it adopts a much more rigourous, fact-based approach to previous studies, drawn from primary sources such as industry almanacs, studio histories and autobiographical accounts from key practitioners, in order to chart the evolution of Japan's animation industry as a whole.' - Sight & Sound 'This study is authoritative and detailed, and will be essential reading for anime fans and scholars alike.' - P.D. Smith, The Guardian 'Anime: A History provides a comprehensive background of the medium, from the early years of the 20th Century to the contemporary landscape of 3D digital animation, online streaming and fansubs...we highly recommend.' - MyMyMy 'Historian Jonathan Clements traces the evolution of anime by exploring the history of its production and reception over the past 100 years, identifying periods in which cultural and technological developments ushered in new ways of thinking about the basic concept of 'moving pictures." - The Japan Times '...a fascinating read.' - The New York Times 'Anime: A History questions the stories we think we know of anime's rises and falls, its heroes and breakthroughs.' - Manga UK 'One of the most important and comprehensive books on anime ever written for the western market.' - Neo Magazine 'Anime: A History is a magisterial effort and will undoubtedly prove invaluable for scholars, particularly in the social sciences, who are interested in the political economy of anime production. Indeed, while Clements may profess to be skeptical of history as a narrative project, his book may well shape the discourse on the subject for years, if not decades, to come.' - LSE Review of Books "A highly detailed discussion on the history of animation, predominately in Japan and its spread round the world. Unusually, it has a great deal of depth of early 20th century animation...This book touches on a lot of points that are not usually covered in this type of book, allowing the reader to get a more rounded appreciation of the history of anime and the impact Japanese culture, plus its effect on the west and its influence on modern media." - SFCrowsnest.org.uk

About the Author

Jonathan Clements is an anime historian. He is co-author of The Anime Encyclopedia: A Guide to Japanese Animation Since 1917, former editor of Manga Max magazine, and has been a translator, voice director or voice actor on over 70 anime productions.

Most helpful customer reviews

18 of 18 people found the following review helpful.
Addictively rich
By Brian
An amazing book. Has just the right amount of information, enough to feel complete without reaching into something inessential. If you're into anime you'll get a lot from it, and even if you aren't you might like it.

A few of the cool things about this book:

Extremely frank about the biases of it's first person sources. By showing what a lot of different people think about something, and why they might think this way, we get a deeper understanding of the subject.

The book spends as much time on pre-Tezuka anime as post, covering a range of history that hasn't been covered in other books. It's really interesting to see the first animation studios pop up in Japan, and the chapter on anime during WWII is really really cool. It's a strange choice in some ways, as less was happening during this time than after, meaning that those chapters feel exhaustive while the post-Tezuka ones are distilled to the highlights. This is not a problem at all, as it makes trends and influences easy to track on an emotional level as you feel the passage of time.

5 of 5 people found the following review helpful.
This is a great history of Japanese animation.
By Handel
This is not only a great book on the history of anime, but one of the best books on the history of animation, period. All too often animation histories tend to play out like gigantic advertisements for a studio, a problem that Jonathan Clements is well aware of. It's refreshing to read a history of animation that attempts to look past these kinds of biases. It also traces some of the economic factors that led to the development of the anime style. Like many others have pointed out, the first half of the book covers the pre-Tezuka era of Japanese animation, and I found these chapters to be especially fascinating. As far as I'm aware, there's nothing really comparable to this book written in the English language.

0 of 0 people found the following review helpful.
Unique and Thorough Work
By BigG
It's more than just anime art--a good resource all-around on history and changes through the years. Recommended for all of those interested in the topic. It's probably best for teenagers and adults.

See all 12 customer reviews...

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Rabu, 31 Desember 2014

[G150.Ebook] Download Ebook Racing Through the Dark: The Fall and Rise of David Millar, by David Millar

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Racing Through the Dark: The Fall and Rise of David Millar, by David Millar

The SUNDAY TIMES bestselling memoir from the Tour de France cyclist who lifts the lid on his drug use and return to sport. By his eighteenth birthday David Millar was living and racing in France, sleeping in rented rooms, tipped to be the next English-speaking Tour winner. A year later he'd realised the dream and signed a professional contract. He perhaps lived the high life a little too enthusiastically - he broke his heel in a fall from a roof after too much drink, and before long the pressure to succeed had tipped over into doping. Here, in a full and frank autobiography, David Millar recounts the story from the inside: he doped because 'cycling's drug culture was like white noise', and because of peer pressure. 'I doped for money and glory in order to guarantee the continuation of my status.' Five years on from his arrest, Millar is clean and reflective, and holds nothing back in this account of his dark years.

  • Sales Rank: #1557655 in Books
  • Published on: 2012-06-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .87" w x 5.08" l, .70 pounds
  • Binding: Paperback
  • 368 pages

Review
Millar is never less than candid in a memoir that is part confessional, part catharsis. THE SCOTSMAN His description of that agonising 2010 mountain stage, during which he scoured the depths of his soul while falling helplessly behind the rest of the field, deserves to stand among the great first-person accounts of sporting experience. -- Richard Williams THE GUARDIAN His career almost destroyed by a doping scandal in 2004, the cycling champion faces his demons in this eloquent and revelatory memoir. Millar's gutsy slog to restore his reputation is inspirational. THE SUNDAY TELEGRAPH SEVEN Magazine This is the superbly narrated story of one man's evolution from talented ingenue to disillusioned doper and back again... one of the very best snapshots of professional cycling in the noughties. OUTDOOR FITNESS Highly articulate, Millar has written a courageously combative book that both exposes the conditions that create drug cheating and explains how his sport has to confront those conditions if it is to break from this most murky of pasts. -- Mark Perryman PHILOSOPHY FOOTBALL The thoughtful British doper-turned-campaigner delivers an eloquent, highly rated memoir about life in troubled peloton. -- Simon Usborne THE INDEPENDENT

About the Author
David Millar was born in Malta in 1977. He is a British road racing cyclist and the only British rider to have worn all Tour de France jerseys and one of four to have worn the yellow jersey. He is now a part-owner of the Garmin-Chipotle team and a key figure of the World Anti-doping Agency's athletes committee. Follow David Millar on Twitter at https://twitter.com/millarmind.

Excerpt. © Reprinted by permission. All rights reserved.


Life is about making decisions, and my relationship with David Millar has informed some of the toughest and most critical decisions in my career. Looking back, his experience has also been pivotal in fueling my passionate belief in clean sport.

I first crossed paths with David in 2002 at the World Road Championships in Belgium. I was working as performance director to Team GB, and he was riding for the British team. It was clear from the outset that he was different from any other bike rider I’d met before. Hugely talented, ambitious, and extroverted, Dave was a thoroughbred.

He was intelligent and strong-willed, yet also very vulnerable. It is rare for me to mix personal with professional, but we got on immediately, and he is one of the few riders that I have also become close friends with.

Dave was already clearly frustrated with the “old school” thinking of the European scene. We talked about working together, developing new ways of thinking about racing and equipment, and taking those ideas into Europe. I knew that with the right environment he could go on to great things.

Yet in hindsight, I can look back and see that there were nagging worries. Dave was something of a wild child, living life to the full, lacking the kind of mentoring that he needed at the time. I knew he had doubts about the team that he was on, that he was under a lot of pressure, that some aspects of his lifestyle were extreme, but I didn’t know how far that extreme lifestyle had gone, or that there was another side to his life that he couldn’t share.

I had just come back to Biarritz with him, after watching him race in the buildup to the Athens Olympics, when it all came tumbling down. I looked on in horror and disbelief as the French police arrested him, just as we settled down to dinner in one of his favorite restaurants in Biarritz. It was a shocking moment, something I never want to experience again. Only then did I begin to understand his secret life and how deeply ashamed he was of betraying his ideals and his family and friends.

Dave’s arrest put me in a difficult situation. I was advised, in no uncertain terms, to leave as quickly as possible, to ensure that British Cycling was not tarnished by scandal. Ultimately though, I had nothing to hide and had done nothing wrong. I was warned that it could be damaging to my reputation, but I felt that I had a duty of care to Dave. I decided that the right thing to do was to stay.

He was in custody for seventy-two hours. The French police were brutal and very aggressive. I was interrogated for almost five hours, but they finally completely acknowledged that I had no involvement at all. I waited until Dave was released, exiting through the back door of the police station to avoid the media. Then I told him to tell me everything.

Over the next few days, as we talked openly about what he had done and what he had been through, the murky world of doping—something I had never encountered—became real. It opened my eyes as I learned how the culture of doping had poisoned his life. It was a steep learning curve for me, but his experience has given me valuable insight and helped me to further develop the strong ethical values that are now the foundation for Team GB and Team SKY. I have seen firsthand how doping can almost wreck an athlete’s life—I am determined it will not happen to any athlete in my charge.

Dave and I came close to working together a couple of years ago, when Team SKY was being developed. The team would have benefited from his racing knowledge, from his performances, and from his experience as a captain on the road. In the end, however, the premise of Team SKY, emphatically founded on creating a team that exemplifies clean sport and that has a zero tolerance on employing anybody with any doping history, made it impossible for him to join.

I am convinced Dave has learned his lesson. Since his comeback, he’s become a reformed character, a voluble contributor to the anti-doping debate through his work with Garmin-Slipstream, UK Sport, and WADA. More remarkably, his passion for cycling is undimmed, despite everything he went through. It’s very clear to anybody who knows him that he will always love riding his bike. That alone probably tells you more about who he really is than any number of speeches.

Most importantly, Dave’s story reveals what I have long believed—that, in the wrong environment, under the wrong influences, even people with the greatest integrity can make the wrong decisions. Although the culture of doping in sport is often depicted as black and white, it can be insidious and subtle: on the one hand, it exploits the vulnerable and pressurized athlete; on the other, it enables the cynical to clinically cheat. That’s why the David Millar story is so valuable and so instructive to all those who care about ethics in sport.

David Brailsford, CBE

Performance Director,

British Cycling and Principal,

Team SKY

Manchester, May 2011|

My Early Years

Even though I was born in Malta—for those who need to know, on January 4, 1977—I have always thought of myself as a Scot.

My parents, Gordon and Avril, left the island when I was eleven months old and returned to Scotland. This was a homecoming, a return from abroad to our brethren. Yet because my father was in the Royal Air Force and subject to their postings, it wasn’t really his choice where we ended up.

We lived in Forres. My earliest memories are of a housing estate, a school bus—with a metal bar across the top of the seat in front of me that I’d try to bite but couldn’t, because of the bus bumping around—and of my grandma giving me chocolate eclairs.

The RAF housing estate was my playground. I could usually be found playing with my Star Wars figurines and space ships—a quiet little boy by all accounts, living in his own little world.

1977, Malta. Proof that I was born in the seventies under the Maltese sun. Gordon looks like a Starsky & Hutch extra, while Avril looks like she’s come straight off the Buck Rogers set.

I’ve been told a story, by both Mum and Dad, about a birthday party they held for me at home. I disappeared early on and was found playing alone in my room, asking when everybody was going home. I remember being like that when I was young.

I liked drawing. In fact, I drew a lot. There was another toddler whom I was best friends with, but I can’t remember his name now. My sister Frances—sometimes “Fran,” sometimes “France”; “Fran” to others, “France” to me—arrived a little less than a year after our return to Scotland, and she quickly became my new play partner.

Fran was a quick developer and walked and talked at a freakishly young age. When people learned that I, not Fran, was the older sibling, this confused them. I’ve never had a problem with it—Fran’s propensity for talking, that is. I simply point out that I’m older than her anyway and claim seniority that way.

Dad was stationed at Kinloss, the RAF base not far from Forres. On occasions when he wasn’t flying, he’d take me to the base and I’d play on the grass-covered aircraft hangars and run around after him among the aircraft. Even now, it’s a vivid memory. Sometimes I’ll pass a garage that will have that same smell of warm metal and diesel and I’ll be back there, running among those big war machines, with my dad, in the grass-covered hangars. I wish more garages had that smell.

I was too young to understand his job, but I remember his leaving for the Falkland Islands. He just disappeared one day, and we didn’t see him again for what seemed like forever. It’s the only time I can remember my mum telling my sister and me to pray at night. There was never any news, and it must have been very hard for her.

My godfather, Major Mike Norman, was involved in the Falklands War, too. He and his wife, Thelma, were friends with my parents in Malta. Mike had given my mum a Royal Marine insignia to be flown above the house when she went into labor. She still has the flag.

Mike was something of a war hero, and, years later, while I was living in Hong Kong, I learned what a significant part he had played in the conflict when I saw a BBC film called An Ungentlemanly Act. Mike had been the commanding officer of the Royal Marines unit on the Falklands when the Argentinians invaded.

When it became clear that the Argentines were mounting a full invasion, he was charged with defending the island by Rex Hunt, the island’s governor. Although outnumbered, Mike led his men with courage and skill, but after hours of defending Governor’s House he was ordered to surrender.

Two months later, when the Argentine army capitulated, he raised the British flag once again. Nonetheless, the war left its mark on him. Many years later, after Mike had retired, my mother spoke to Thelma on the phone and asked how he was.

“Oh, he’s fine,” she said. “He’s out gardening. But you know, Avril, his knees never really recovered from that bloody yomp.”

In many ways, growing up as a forces child made us different from other kids. Our dads, whether in the RAF, army, or navy, couldn’t just switch off their value systems on coming home and taking off their uniforms. They worked in an environment with hundreds of years of history and standards. It made for a disciplined and regimented childhood.

My sister and I could be taken to any restaurant in the world, and there would be no risk of our behaving badly. Without being too hard on us, my father was a disciplinarian. But he was also incredibly funny and loving when he was relaxed and happy, which was all the funnier because it was impossible to imagine him ever being the same when he was in his uniform.

I remember one flier friend never stopped calling him “sir,” even when they were both in civilian clothes.

“Why don’t you just call him Gordon?” I asked him once.

“I can’t, David,” he replied, deadpan. “He’s my commanding officer.”

Years later, after my dad had left the forces and joined Cathay Pacific, I appreciated what a change it must have been for him going from being a young wing commander in the Royal Air Force to a middle-aged copilot in a commercial airline. It couldn’t have been easy for him.

My dad was reckless at times. I remember seeing him, around the time that he was a squadron leader, standing in the dining room looking out of the window, staring at his white Lotus Elite. There was something broken about his expression—he told me that he’d crashed his car and that he felt sad.

I first learned to ride a bike in Scotland. But it was hardly the most auspicious start to my cycling career, as I rode into the back of a parked car on one of those first rides.

In fact, I was a little accident-prone. Playing tag at school, I managed to break my collarbone for the first time. It took my mum, bless her, three days to believe that I’d broken it. I’m not sure if that says more about me, or my mum.

My mum is one of the most intelligent people I know, able to maintain a challenging conversation on almost any subject. She studied engineering at Glasgow University, based on her admiration for her adopted father, yet, forty years on, she is now on her fourth different career. She came from a loving yet unorthodox family, adopted as a baby by a couple already in their mid-forties. Today the only family she has is my sister and me, and her fabulous piano-playing neighbor Terry. Her background probably explains her absolute love for France and me, yet this collarbone incident also showed she was no pushover.

Just before we left Scotland, I did it again. One of my best friends had a hill in his back garden that in winter hardened to a stony mix of frost, ice, and snow. Naturally, we considered it our duty to ride down this. I must have taken it more seriously than him, because I was the one who ended up crumpled at the bottom of the hill, nursing a second broken collarbone.

There’s a final memory of our time in Scotland—of leaving in 1984, and Fran and I, cocooned in the bucket seats of my dad’s Lotus, singing along to Yazoo. Dad had a new posting. We were moving on again, heading south to our new house in Stone, Buckinghamshire.

It’s hard to imagine Frances and me arriving in England as wee Scots, the two of us arguing away with our strong singsong accents. The years since, traveling and living in many different places, have left me with the most neutral of accents.

If anything, what I have now is an expat Brit accent that morphs itself spontaneously to mimic those around me. It’s not something I’m proud of; I would much prefer to have held on to the Scottish accent that I had as a child, because I remain very proud of being a Scot.



At times, I have to admit that, listening to my English accent while calling myself Scottish, I’ve felt like a fraud. But then I suppose our nomadic lifestyle made it important that we were good at “fitting in.”

When I started school in Buckinghamshire, I would always play lunchtime football in Scottish national team kit. Looking back, I think losing my accent was a pivotal moment. Even so, I feel most at home when surrounded by Scots, and it was among Scots that I spent most of my time during my doping ban.

I didn’t enjoy school that much, but out of the classroom, I had a blast, particularly after I discovered BMX and became the proud owner of a Raleigh Super Tuff Burner. Dad would take me along to the BMX race leagues in High Wycombe every other weekend. I was eight years old, and it was the perfect introduction to racing.

The BMX boom was at its height, and movies such as ET and BMX Bandits were big box office. I still haven’t seen ET, even though, a few years later while on a family holiday in California, I was chosen out of a throng of children to ride the ET BMX against a blue screen at Universal Studios. I couldn’t bring myself to tell them I hadn’t actually seen the film.

I loved the rush of BMX racing. The start gate would come crashing down, and the ten riders in the field would hurtle with childish abandon toward the first ramps and left-hand banked turn, or “burn.” There was very little skill involved. It was more dependent on a lot of youthful courage and blind luck.

I was still on my trusty Raleigh, competing against kids on special racing BMXs. This had never bothered me, until one day, when, after finishing in the top three and while pushing my Raleigh back up the hill for the next race, I heard the commentator remark on my less-than-special bike. I was upset to say the least.

Despite that, in my first season I finished fourth in the county for my age group. This entitled me to a number 4 handlebar plate for the next season, but I clearly remember thinking that fourth in the county wasn’t really that good.

I don’t know why I would have such high expectations or put such pressure on myself at such a young age. I was competing against boys who were clearly taking it much more seriously than I was. For my dad and me, it was simply a Sunday out together. He didn’t allow himself to get mixed up in overcompetitive dad syndrome. Any pressure or desire I had to perform came from me and me alone.

1986, Stone primary school. Frances and I rocking the uniform. I get the impression there was a lot of giggling pre- and post-photograph.

But that number 4 plate was never used because my beloved Super Tuff Burner was stolen that winter, effectively ending my BMX career. I spent years looking in ditches and scouring bike racks searching for that bike, and it took me a very long time to accept that it was never coming back.

As well as BMX, I’d taken to roller-skating much of the time, usually at roller discos. I can’t remember how often the roller discos were, but they were never regular enough for me. I was a roller-disco king—Thame Leisure Centre was my kingdom.

France, in true younger sibling fashion, had taken to copying everything I did, be it BMX or roller-skating. It was never long before France was, like me, fully equipped, tagging along. Most irritatingly, everybody still thought she was my older sister, which was not cool for an already quiet, shy, introspective boy. I’m ashamed to say that I did my best to make sure that skating was the last hobby of mine that Frances copied. At the time, I didn’t see the love, only the burden of a little sister.

France was so confident, so able to talk to people. She would talk to anybody at any time on any subject. We—my parents and I—would hang back and send her forward to ask all sorts of things of all sorts of people. We didn’t need local knowledge or a tour guide when we were on holiday, because we had our own little search engine on legs. Frances was our Google.

My mum and dad made a significant effort to improve us both. We were both given extra tuition outside of school, and I was learning to play the trombone and the piano. I was trombonist in the school jazz band, and now it amazes me that I pretended to enjoy it and persevered for so long.

But there were problems at home. It became impossible to ignore the troubles between my parents. At first, it had been subtle, but now there were things that I couldn’t ignore. It became harder to pretend that the fights weren’t happening. I suppose it had been going on for a long while, but children choose not to see such things.

Eventually, things reached a crisis point. I was woken up in the middle of the night, my tearful mum and dad sitting on my bed, telling me that they were splitting up, that it wasn’t my fault and that I should look after my sister.

I don’t think I cried. I certainly don’t remember being tearful, but I remember being incredibly fucking angry. My childhood had come to an abrupt end. I was eleven.

The next morning, I walked to school as usual, through grass covered in morning dew, my feet leaving a trail behind me.

Most helpful customer reviews

12 of 12 people found the following review helpful.
Exuberant Frailty
By Doctor Moss
This book really grabbed me. Yep, David Millar is pretty fascinated with himself, but this is an autobiography after all -- he had to be fascinated enough with himself to write it. Most readers looking at this review probably already know who David Millar is -- he's been an elite professional cyclist for more than 10 years, winning stages of all three grand tours (France, Spain, Italy), specializing in individual time trials. And he is a reformed doper, having been banned from pro cycling for 2 years from 2004 to 2006.

Millar tells his story in three stages. In the first, he is a gifted rider, progressing from almost too-easy dominance in smaller amateur races to the challenges of a new pro. He's up for the challenges, though, eventually winning races while staying clean. All along he's prideful in his quiet, personal anti-doping stance. When he finds that his hematocrit level tested at only 40.1 per cent (well below the threshold of suspicion at 50 percent) after winning the time trial at De Panne, he's excited. He's proven he can win clean against a field he knows is doping. But in one of the most poignant moments of the book, he proudly tells Francesco Casagrande, one of his team leaders, of his feat, and Casagrande just says to another team member, "Why isn't he at 50?" It doesn't matter if you can win clean -- what your team wants is that you race at your max, and your max means doping.

Eventually, Millar hits the wall in his career, due to poor training habits, excessive lifestyle, and, presumably, operating at a disadvantage with respect to riders using EPO and other performance-enhancing drugs and treatments. By this time, he's already taking injections of vitamins to aid recovery from race efforts and sleeping meds to get rested enough to race day after day. Now he accepts doping just as what riders do in order to be successful. He's caught red-handed, and he faces both suspension by the sport and criminal charges in France, where he lives.

In stage 3, Millar makes his comeback. During his suspension, he doesn't ride. He's lost the fun of cycling -- it's turned into a job, and now a job he can no longer perform. And his personal life has gone to hell. But he does pull it together, with help, and he is just gifted enough to get enough initial success to propel himself forward. He returns to the top of the sport again, and now, with Jonathon Vaughters' new clean team, Garmin, he finds what he clearly thinks is his more mature self, a spokesperson for clean cycling.

In the end, Millar takes a strident born-again anti-doping stance. He believes that what he lacked as a younger rider was someone who could give him the encouragement and support he needed to resist doping. Doping was ubiquitous but never talked about among the riders. The silence meant that even clean riders couldn't take a stance or band together for support with other clean riders. Now Millar wants, as an established, successful rider and doping-survivor, to fill that gap for other riders who want to stay clean.

He may be too fervent to be effective at getting other riders to do the same. He "lectures" Lance Armstrong after the 2007 Tour de France, challenging him to "Give something back, help us clean up the sport . . . " It doesn't go well, he says, having "perhaps lectured him for a little too long -- 10 minutes too long" in public. Lance says he has "bigger things to do now" than clean up cycling, and the friendship between the two is pretty much cooked.

I liked Millar at the end of the book. He is full of himself, and he proves that over and over again. But, unlike so many other cyclists, he ultimately admits his frailties. Even after having been caught, so many others, like Floyd Landis, carry on the lie in one way or another, destroying their personal credibility so thoroughly that we wouldn't listen to them even if they did try finally to tell the truth.

0 of 0 people found the following review helpful.
Doping in Cycling
By Slackerprince
This book is about:

1) Doping
2) Doping in cycling
3) One rider's struggle with doping
4) Pro cycling

If you're looking for a book about the pro cycling scene, aside from doping, this is not it.
It starts out decent enough, but Millar's attitude and tortured soul confessions grow tiresome
as the story proceeds.
It seems, as if, the whole premise of the book is to let the reader know that he tried as HARD as
he could to resist doping, then after he was busted, that he did everything he could to redeem himself.
There are many clunky trasitions in this book. Millar writes about a certain race and his performance, and then, CLUNK, he's on to the next race, with no resolution of the previous race. He does it with his girlfriends, too. He introduces a relationship and details the progression and how she fits into his life in racing, then, CLUNK, he's broken up with her and on to someone new, without any explanation of how and why it ended. She's just, gone...
Some books, about a subject you love, you wish would never end. This wasn't that kind of book for me.
Millar doesn't come off as likeable, and he projects a "victim" mentality that didn't have me rooting for
him at any point in the book.
I couldn't wait to finish it, and found myself skimming, near the end.
On the positive side, though, besides a few clunky transitions, the book is well written and flows smoothly. You could probably read it in a weekend.
Also, he takes for granted that the readers are knowledgeable about the sport, so using terms, like, "on the front," "getting dropped," "chainring," etc., aren't explained, so the book isn't really dumbed-down for the general reading public, which moves the story along.
All in all, if you're a pro cycling fan, or just want to learn more about doping and it's effects in pro sports, it's a decent read.
I got a great deal on a brand-new, hardcover copy, so no worries.

S

0 of 0 people found the following review helpful.
From Darkness to Light
By Lynn McArd
The doping era in cycling was a sad time for the sport. There are still a lot of people out there, who have never raced, that still burn and curse the riders who doped. They should really read this book so that they can get a clue. David Millar brings across what it was like to be a pro cyclist during that time. When your livelihood depends on producing results and your competition is dropping you by doping.....you can start to understand.
David does a wonderful job revealing the anguish that he, and others, went through in order to stay in the sport that he loved. He was able to get out of doping and deserves high credit for trying to get others out as well. It is sad that football, basketball and baseball athletes can dope and not get the harassment that pro cyclists did - and still do- even when they went clean. I applaud David for writing this book and bringing light to the darkness of that era!

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Minggu, 28 Desember 2014

[F577.Ebook] Get Free Ebook Fluid Power Design Handbook (Fluid Power and Control, 12) 3rd Edition Revised & Expanded, by Frank Yeaple

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Fluid Power Design Handbook (Fluid Power and Control, 12) 3rd Edition Revised & Expanded, by Frank Yeaple

Maintaining and enhancing the high standards and excellent features that made the previous editions so popular, this book presents engineering and application information to incorporate, control, predict, and measure the performance of all fluid power components in hydraulic or pneumatic systems. Detailing developments in the ongoing "electronic revolution" of fluid power control, the third edition offers new and enlarged coverage of microprocessor control, "smart" actuators, virtual displays, position sensors, computer-aided design, performance testing, noise reduction, on-screen simulation of complex branch-flow networks, important engineering terms and conversion units, and more.

  • Sales Rank: #1233558 in Books
  • Published on: 1995-10-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 7.25" w x 2.00" l, 3.28 pounds
  • Binding: Hardcover
  • 854 pages

Review
About the previous editions:

…clearly merits a place on the shelves of all technical libraries.

---Journal of Mechanical Working Technology

…outstanding.

---Applied Mechanics Review

Most helpful customer reviews

2 of 2 people found the following review helpful.
Good Handbook in Fluid Power Design, but the Book Printing Quality is very Poor
By El-Sayed Agoor
This is a good reference book in hydraulics and pneumatics design for the intermediate level. However, the book have apparent weaknesses in hydraulics and pneumatic circuits control, and in circuits simulation which is very essential for any design from concept to detailing.

The topics in the application of hydraulics and pneumatics to aerospace industry is poorly written, and needs specialist intensive review because of the importance of these system in many flight vehicles even with the latest development of the all electric aircraft in Boing787

I give it four stars for the design materials, and zero for the printing quality, which I believe all the buyers of this book should be adequately compensated and a new good printed copy should be resend to them at the earliest possible opportunity....

3 of 3 people found the following review helpful.
Iris
By Iris Florea
I read this book several times; It is a different book and the more I read sections of it, the more I like, and appreciate it. It has a different approach in many of the hydraulics case studies, for example: in evaluating flow through orifices/local resistance to flow, or has good formulas to calculate internal leakage in a spool valve when the spool is centered, or in the case it is eccentric. The book has some interesting comments on cavitation.
It is useful for a beginner to mid career engineer trying to stretch their wings and fly solo; it is a wise/reference type book for an experienced engineer.
Once you read this book, and Herbert Merritt's book on "Hydraulic Control Systems", you get a different, deeper understanding of hydraulics.
I recommend Frank Yeaple's "Fluid Power Design Handbook".

4 of 4 people found the following review helpful.
Good info, poor print quality
By Engineer
The book contains relatively good information (would have liked more in depth theory), but the print quality is terrible-- certainly not anywhere near my other $100+ reference and text books. It is almost as if they scanned the original pages into a low-resolution pdf file then re-printed it, background noise and all. It is so grainy on some pages that it is very difficult to read the example charts. Quite disappointing.

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[L919.Ebook] Ebook Download Study Guide for Brunner & Suddarth's Textbook of Medical-Surgical Nursing, by Janice L. Hinkle PhD RN CNRN, Kerry H. Cheever PhD RN

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Study Guide for Brunner & Suddarth's Textbook of Medical-Surgical Nursing, by Janice L. Hinkle PhD  RN  CNRN, Kerry H. Cheever PhD  RN

The perfect companion to Brunner & Suddarth's Textbook of Medical-Surgical Nursing, this exemplary study tool helps you better understand the concepts, disease processes, and nursing care detailed in the textbook. Designed to help you review and apply important concepts from the textbook to prepare for exams as well as for your nursing career, each fully revised chapter includes three sections: Assessing Your Understanding (including fill-in-the-blank, short answer, and matching questions), Applying Your Knowledge (comprised of case-based questions), and Practicing for NCLEX (containing both multiple-choice and alternate-format NCLEX-style questions). An Answer Key is included at the end of the book.

  • Sales Rank: #10051 in Books
  • Brand: Brand: Lippincott Williams Wilkins
  • Published on: 2013-11-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 8.50" w x 1.00" l, 2.26 pounds
  • Binding: Paperback
  • 480 pages
Features
  • Used Book in Good Condition

About the Author
Kerry Cheever is currently the head of the Nursing Department at Moravian College. Prior to this position, Dr. Cheever served as associate professor and chair of the Department of Nursing and Health at DeSales University since 1999. She taught in both the undergraduate and graduate nursing programs. She is a commander in the United States Navy and has extensive experience in Critical Care, Trauma and Emergency nursign. Previously, she served on the faculty at Marquette University, the University of Wisconsin-Madison, and the Medical University of South Carolina.

Cheever's publications include recent articles in the" Journal of Cardiovascular Nursing, Journal or Religion and Health, Journal of Nursing Education, "and "Journal of child and Adolescent Psychiatric Nursing." Cheever is an associate editor of the forthcoming 11th edition of "Brunner& Suddarth's Textbook of Medical-Surgical Nursing" (the 10th edition is the most widely used medical-surgical nursing textbook inthe world. She also has authored two chapters for the text). Currently, she has as work in progress entitled" Adult Health Case Studies: Fostering Clinical Reasoning Skills in Novices," which has been accepted for publication.

Cheever received her PhD iin 1993 from the University of South Carolina, and MSN in Adult Health in 1990 from the University of Florida, and a BSN from Allentown College of St. Francis DeSales in 1980. She holds additional postgraduate certificates in acute care nurse practitioner studies from Marquette University and the BioEthics from New York University.

Most helpful customer reviews

2 of 2 people found the following review helpful.
didnt use this too much
By pumpedupkics
didn't use it too much.. i feel like I never had time between reading the book & taking notes, studying my power points, and practicing questions.. If you think you have the time its a great director of focus but I would buy the clinical handbook or a practice book with the $ - Gave it 5 stars bc the study guide itself is very helpful if you do use it.

2 of 2 people found the following review helpful.
I WAS VERY DISAPPOINTED TO FIND THAT THE NCLEX STYLE QUESTIONS AT THE ...
By Mel-Dun
WHILE I FOUND THIS BOOK TO BE SOME WHAT HELPFUL, I WAS VERY DISAPPOINTED TO FIND THAT THE NCLEX STYLE QUESTIONS AT THE END OF EACH CHAPTER HAD NO!!!RATIONALES.. THAT'S CRAZY... WHEN YOU'RE PREPARING TO TAKE THE NCLEX THE RATIONALES ARE OF THE ESSENCE.......

3 of 4 people found the following review helpful.
Good test review book, but...
By Subkidd
I bought this book used. It somewhat helped me for my tests. I liked how the answers & rationales were on the spot unlike the previous edition. Nevertheless, I gave 3-star because there were missing pages of the key answers in the back of the book, which was hard for me to prepare for test of that specific topics.

See all 39 customer reviews...

Study Guide for Brunner & Suddarth's Textbook of Medical-Surgical Nursing, by Janice L. Hinkle PhD RN CNRN, Kerry H. Cheever PhD RN PDF
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[L919.Ebook] Ebook Download Study Guide for Brunner & Suddarth's Textbook of Medical-Surgical Nursing, by Janice L. Hinkle PhD RN CNRN, Kerry H. Cheever PhD RN Doc

Jumat, 26 Desember 2014

[L874.Ebook] Get Free Ebook Trash Origami: 25 Paper Folding Projects Reusing Everyday Materials [Origami Book, DVD, 25 Projects], by Michael G. LaFosse, Richard L. Al

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Trash Origami: 25 Paper Folding Projects Reusing Everyday Materials [Origami Book, DVD, 25 Projects], by Michael G. LaFosse, Richard L. Al

Make fun and functional origami out of your spare paper with this easy origami book.

Don't dump your wastepaper into the garbage—it's time to fold! World renowned origami artists and award-winning authors Michael G. LaFosse and Richard L. Alexander show you the way with Trash Origami. This origami book presents unique and fun projects from their Origamido Studio and from some of the world's best paper designers, including Nick Robinson, Herman Van Goubergen, and Rona Gurkewitz.

The origami models are presented for the reader who may have little or no previous folding experience, making it a great origami-for-kids book and an effective way to learn origami. However, experienced paper folders will also be intrigued by the novel nature of the folds and the unusual materials involved. The origami designs are made from old calendar pages, candy wrappers, envelopes, newspaper, postcards, paper grocery bags and more. The accompanying DVD video tutorial will make the folding process clearer and aid folders of all skill levels. Also provided is a guide to everyday materials that have the most folding potential leaving readers inspired to design and display their very own "trash" origami.

This origami book features:

  • Full-color, 95 page instructional book
  • 25 unique origami projects
  • Projects from top paper folding designers
  • Clear, step-by-step directions
  • Paper folding techniques and tips
  • Accompanying instructional DVD
Get ready to look at the contents of your wastebaskets and recycling bins with a different sensibility. You'll never need to buy expensive origami paper again!

Origami projects include:
  • Photo Cubes
  • Candy Wrapper Butterflies
  • Interlocking Flower Petals
  • Custom-Bound Books
  • And many more…

  • Sales Rank: #846972 in Books
  • Published on: 2010-10-10
  • Released on: 2010-10-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .50" w x 8.50" l, 1.73 pounds
  • Binding: Hardcover
  • 96 pages

From Publishers Weekly
In a fun twist on an ancient art, the authors present a selection of paper-folding projects that use old envelopes, potato chip bags, and even magazine subscription cards instead of the usual origami paper. Each project is presented with full-color photos followed by a clear chart using standardized origami symbols that show exactly how to fold the piece. An accompanying DVD provides even more instruction, especially helpful for readers who learn best by watching. Projects include a candy wrapper butterfly, a crown towers and jumping frog game, photo cubes, snack bag wallets, and elegant boxes and envelopes. The "curler unit ball" project is a standout; it is a truly gorgeous, complex creation. While all of the projects are ingenious, some are more attractive than others; trash is trash, after all. But the low price point, accompanying DVD, and green tilt should help it sell well with crafters. Photos.
(c) Copyright PWxyz, LLC. All rights reserved.

From Booklist
In this world of the three Rs�re-use, recycle, repurpose�confirmed origamists LaFosse and Alexander turn their attention to folded projects fashioned from throwaways. Such materials, the authors note in their introduction, range from glossy brochures and dog food bags to gum wrappers and those annoying reader response cards that fall out off every magazine at all-too-regular intervals. With little preparation and the assumption that readers understand the basics of this Japanese art, LaFosse, Alexander, and the contributing designers plunge into the two-dozen-plus projects with a lot of heart and many instructions and illustrations as well as a DVD. About half the items, such as crumpled mushrooms, curler-unit balls, and paper hearts, are purely aesthetic, whereas the rest�different varieties of envelopes, a snack-bag wallet to hold coupons, reworked old games (checkers, anyone?)�serve practical functions. Although readers will need some experience, color photos and pictorial directions fill in some gaps. Level of difficulty is not indicated, however, nor are here lists of materials. For advanced folders only. --Barbara Jacobs

Review
"A fun, instructive guide showing how to turn trash into origami." —Architectural Record

"In this colorfully illustrated book using heavyweight glossy sheets, 25 different origami productions are clearly explained, diagrammed, and photographed. While the patterns presented are cleverly attractive, the novelty exploited in this volume is the use of recyclable raw materials in place of the traditional origami paper." —Sacramento Book Review

Most helpful customer reviews

9 of 9 people found the following review helpful.
Love this book
By Rose
I borrowed this book from our local library and love it. I need to get my own personal copy. I have been doing origami for years, and like finding easy models I have never seen before. So far, my favorite is the Calendar Wreath but many others also look interesting.

8 of 8 people found the following review helpful.
Design
By origami tomodachi
Kindle version have not the beautifull design that have paper version. I don't like the design of the Kindle version. Design is very poor.

11 of 13 people found the following review helpful.
Beautiful Book, But...
By Jennifer O'Neil
This is a beautiful book to look through...nice photography and the instructions are well done. It does come with a DVD, but we have not yet watched it. However, I felt that there were only a few really interesting or unusual pieces to make, and there seem to be quite a few "boxes" or other items often found in most origami books. I bought this for my 7-year old daughter (and myself :-) for Christmas, and although we both have enjoyed looking through it, we have only made a few things. To be honest, we have also found the internet to be the best source for new origami projects (sorry paper and printing industries!).

This book is, however, far superior to a similar book ' Junk Mail Origami' that we found a complete waste of money.

See all 24 customer reviews...

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Senin, 15 Desember 2014

[Y636.Ebook] Free PDF Dream Worlds: Production Design for Animation, by Hans Bacher

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Dream Worlds: Production Design for Animation, by Hans Bacher

Dream Worlds: Production Design for Animation, by Hans Bacher



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Dream Worlds: Production Design for Animation, by Hans Bacher

A truly unique visual delight offering insight into the development of animation classics like Bambi, Beauty and the Beast, The Lion King, Lilo and Stitch as well as a tantalizing examination of unfinished Disney projects.

  • Sales Rank: #98291 in Books
  • Brand: Bacher, Hans P.
  • Published on: 2007-11-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x .60" w x 10.90" l, 2.15 pounds
  • Binding: Hardcover
  • 220 pages

Review
"Dream Worlds is a must have for its visuals alone - I can only describe them as gorgeous." .. World Animation Journal

About the Author
By Hans Bacher, Hans Bacher has been a major influence on the design of Disney films for nearly 20 years. His work appears in Who Framed Roger Rabbit, The Lion King, Aladdin, Beauty and the Beast, Atlantis: The Lost Empire and Mulan. Winner of the prestigious "Annie" animation award for "Outstanding Individual Achievement for Production Design in an Animated Feature Production" for his work on Mulan.

Most helpful customer reviews

21 of 21 people found the following review helpful.
Poor Quality: Kindle Edition
By dakatsun
This is a review for the Kindle Edition. The physical book is very well laid out and filled with great images. Unfortunately, the publisher didn't spend any effort when they released the Kindle Edition. What they did was simply use an OCR scanner to scan the text of the book and slapped on the low quality scans without any layout in mind. It's a complete disaster! Do yourself a favor, buy the hardcopy of this book! Physical Copy of the book:☆☆☆☆☆; Kindle Edition: 0 Stars

31 of 35 people found the following review helpful.
Lost opportunity
By B. Hay
What a wonderful opportunity the publishers have squandered here. The author is clearly very informed and his own art work, outstanding. The illustrations are essentially wonderful too. So what's wrong? Lack of courage on the part of the publishers. A work of this magnitude needs to be reproduced at a size to fit its contents. The illustrations are very often way too small - little bigger than postage stamps at times - and even the full-pagers would have benefitted from a larger page to fill. The text is also far too brief - almost anecdotal and saying far less than it could. This book cries out for pages that are 2 - 3 times larger and the text demands a book of twice the length. It was extremely frustrating to peer at art work that so deserves to be reproduced at a good size on quality paper. Would I recommend it? Of course. Much of the art work has not to my knowledge been published elsewhere. Just make sure you have a magnifying glass to hand!

13 of 13 people found the following review helpful.
Inspiring!
By Julie Neal
Wow! I want to gaze in awe at every page of this beautiful yet practical book, which is filled with art. Dozens of backgrounds from "Bambi" show the stunning skill and style of those artists like you've never seen it before. Another section illustrates many creative ways to imagine a bird, from concept pieces from "Fantasia 2000." Other pages show thumbnails and composition notes from the early stages of "Lilo & Stitch." There's also a whole chapter on composition that combines a how-to manual with frames of Disney's "Brother Bear."

I could go on forever, but suffice it to say that this book is an absolute must-buy. Anyone who wants to study the best artists in the animation business, or just loves to look at imaginative watercolors and stunning uses of color, will find it truly inspirational. Yes, it's nearly all Disney, but don't let that mislead you. This book is not published by the Disney company, and has no promotional feel.

For more art from "Cinderella" check out Walt Disney's Cinderella. For a nice academic companion try To Infinity and Beyond!: The Story of Pixar Animation Studios.

See all 62 customer reviews...

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